Geotags, aerial synths, street synths… capturing events as they happen. If you can mark it on a map, then this is the place to talk about it.
There are some really cool places in the world that I'd love to see synths of, but for lack of time and money haven't been able to make it to (yet). Here's my list. What about other people, what would you like to see?
• Shiptons Arch, China
• Angel Falls, Venezuela
• Nazca lines, Peru
• Bungle Bungles, Australia
• some bones in dinosaur national monument, Colorado/Utah
• Victoria Falls, Zimbabwe/Zambia
• K2/Baltoro Glacier, Pakistan http://maps.live.com/default.aspx?v=2&FORM=LMLTCP&cp=35.759607~76.548615&style=h&lvl=11&tilt=-90&dir=0&alt=-1000&cam=-54.055532~-37.330167&scene=-1&phx=0&phy=0&phscl=1&encType=1
• Deer Cave, Malaysia
The Ice Hotel!
[Insert large cavern system here] preferably shot both as a walk-through (and back!) but also as panoramics in areas of interest so we get lots of donuts.
Another one high on my list would be an aerial synth of the Grand Canyon, preferably done about 200' below the altitude of the rim so you're down in it the whole way. Ideally, photograph it using a hemispherical array of cameras all synchronized to a single shutter control so you get instant donuts every time an exposure is taken.
But you know what would be tops on my list? For the Mars rover teams to submit their pictures as massive synths. MWAHAHAHAHAHAA! I'd love to boldly go where no man has gone before. Ok, so little wheeled robots have, but...
I realize I'm posting things that aren't likely to be picked up by someone local to the place who says, "Sure! That's easy enough!" but these really are the places I'd love to see synthed.
How about New Zealand. Not exciting? I'm talking about someone Synth'ing their Bungie trip from the walk up, to the jump off, the way down, and the bounce back up.
That camera had better be strapped onto their helmet...
Fracture - this thread was meant to be list of all the places in the world we'd like to see a synth of where we currently don't have one. We actually have OK coverage of NZ, but havent seen any taken while bungie jumping. That would be fairly cool, skydiving as well.
Can you guys think of any more places/situtation we need synths of?
Son Doong Cave In Vietnam
While I was replying to a thread about collaborative synths, this came to mind:
I know Photosynth won't synth water, but a closer statement would be that it won't synth the water's surface. Underwater there are loads of fixed points to tie images together. Soooo...
I'd love to see a synth of a coral reef. That would be a BLAST.
Even better, I'd love to figure out a way to tie the below-water images to the above-water shots and have someone on the reef and someone else on shore doing a collaborative synth. You'd be able to "stand on the beach" at the beginning of the synth, and "dive underwater" to see the reef.
(Oh PLEEEEZE tell me someone is interested in doing this! I don't have an underwater housing on my camera!!)
I think Tom's onto something here. I think the transition from above water to below water would be the absolute hardest part, but I too would LOVE to see this.
A good polarizer and a really careful choice of angles might work. I've had underwater features show up in a couple of synths I've done this way. It might be enough to tie the two, though the other direction would be a LOT harder.
(Anyone on the Big Island with an underwater housing for their camera? I'll do the dry-land photography!)
Cave systems in halong bay/Cat Ba island Vietnam would fit your suggestion TBenedict, and I'd love to see them
http://images.google.com/images?q=halong bay cave system&rls=com.microsoft:en-gb:IE-SearchBox&oe=UTF-8&sourceid=ie7&rlz=1I7HPEA_en&um=1&ie=UTF-8&sa=N&hl=en&tab=wi
Also synths of reefs.. excellent idea. There are a huge team of underwater photographers in Egypt and some awesome dive sites I'm sure the Devs here could fire off some emails to camel divers & they could use it for promo work ;) ;) One possiblility would be the use of a glass bottom boat to ease the transition from land to water?
I'd particularly like to see some underwater wrecks, starting underwater at the boat near a shallow reef and descending down. Some well phrased emails would definately start off a few clusters of this type of synth!
Any series of photos from space... The saturn mission has some good stuff going around Titan - their pictures are already in the public domain as well, I reckon they might be up for some synthing..
I honestly think you're right, the above/below beach/reef synth should ideally be done by underwater photographers.
I REALLY like the idea of the glass bottomed boat for the transition. That or something similar on a smaller scale.
I'm still interested in doing this, but I hope an honest to goodness underwater photographer beats me to it. It will be far better done.
Your mention of space synths (of which I think NASA has done several) gave me an idea... I'll try to get this one done later in the week (time permitting.)
Okay, I'm now obsessed with large scale underwater reef synthing... Underwater photography is tough, normally holiday divers don't have the equipment to balance the red shift (deeper water has less blue light) it's a pain to have to add/remove coloured slides for every photo.. (sorry--going off topic there)
I emailed one dive centre in Sharm el Sheik but they haven't responded so I have sent emails out to dive centres I have worked at in the past suggesting they make a synth map a part of their dive master/master scuba diver course or make a synth to use for promos, there are centres where professionals dive the same reefs month in month out, 20 photos per dive, 70 dives per month... Anyways, I'll let you know if I get any success synth fishing :D
Also, to return to the thread topic - I'd love to see a synth from the front of a train, some rapid fire photos might do the trick from trains both ways?
*deeper water has less red light... doh!
Glad to see you taking point on this, Mister_Blondie! I don't even qualify as a holiday diver, and my equipment is nil. I really like the direction you're taking with that, especially the idea of using photos from centers where professionals are in there all the time. I'd really like to see how that turns out!
I don't know about the front of a train, but a while back Darius posted a link to a "drive through" synth where someone was taking pictures from inside a car, coming and going. The technique works quite well. At the speeds most trains go, though, you might need a pretty high frame rate to pull that off. Glad you thought of doing it both ways. For the viewer to be able to turn around and go back, that's essential.
No dice on the space synth I hoped to do this week. I'll have another chance next week, so I'll give it another go then.
A sculpture park. A whole big sculpture park...
Here's an fantastic attempt at a sculpture park: http://photosynth.net/view.aspx?cid=97153326-97b4-4df7-ba8d-aaf9851fa34d
This is pushing the upper limit of the synther as it is, so a park larger than this would be very difficult. The overhead view in this one is great.
awesome, thanks :)
I'd like to see some Mt Everest base camp synths.
This takes a step out of the realm of the real world, but I'd absolutely love to see Michael Chesko's miniature model cities thoroughly synthed.
He's worked on models of New York City, but also has a fictional city of his own design, entitled 'Britannica'. I happened to bump into his work on Robyn Miller's blog some time ago and have been hooked on the idea of synthing his models ever since.
You can find one of Robyn's Britannica posts here: http://tinselman.typepad.com/tinselman/2008/08/stop-and-smell.html
Unfreakin'real. I second that, Nathanael. I'd be willing to be there are no small number of photographers who would be ready to jump at the chance. (I WOULD!)
I would love to synth Jack Lewis's house, "The Kilns".
Short of being able to tackle it myself, though, I'd truly enjoy someone else doing a good job of it.