Svartifoss Waterfall, Iceland

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TonyErnst

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Description

Svartifoss is one of the cooler waterfalls I've seen. It's set in a lush green valley in what passes for a forest in Iceland. The falls flow over an over hanging cliff of columnar basalt. I walked behind the falls, but left my camera behind, so sorry, no photos from that angle.

Taken July 2, 2004
Skaftafell National Park, Iceland

You can see more of my photography at: http://tonyernst.com
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Synthy 88%
Views 4950
Favorites 4
Photos 25
Date Created 3/19/2009
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Comments

(5)
jamescatz Over 1 year ago
These photos are absolutely amazing. Can you just imagine being there in person?
michaeldenis Over 1 year ago
I can. That's what it's like, shown here by a great jump from an ultra-ultra wide shot to an up-close shot right ontop of the waterfall. I went here before I discovered Photosynth and that jump-step is top-notch, although I always wish you'd take about ten fold as many photos, Tony ;)
TonyErnst Over 1 year ago
These photos were all taken in 2004, well before Photosynth was around, I spent alot of time going through my archives finding photos that would synth. While the results arent always as synthy, each shot was individually composed. If I had been taking with creating a synth in mind I definitely would have taken more photos. Im still undecided what makes a better experience though. A few well composed shots (like this synth) or a many many shots trying to cover all the angles, but without each photos getting individual consideration (example: http://photosynth.net/view.aspx?cid=47bd42a1-f939-4bdb-b916-54c71a714fb5).

What do you think?
michaeldenis Over 1 year ago
I see what you mean: Many photos confuse where few photos illuminate.

What I'm noticing in my own work is the advantage of drilling into a photo by approaching an object and taking another photograph, and then repeating this approach five to ten times.

Your point is well taken, though. What I would consider to be the best "statue synths" are those that follow a *single* circle of photos around an object (creating the donut orbis) and then, perhaps, come in through a single drilled path in order to get a lot of close-ups. My sense is that these 3D models are more difficult than the rock art or museum galleries to synth.

Personally, I love shooting objects that have both possibilities in them: A long approach and a "end object" that looks good in close-up.

I am just wrapping up a trip to Southeastern Utah and I've created a series of synths that should exemplify this type of approach. I'm writing from a hotel now, I'm afraid.

Glad to catch your reply at last.
michaeldenis Over 1 year ago
Contrast my photosynth of a pictograph in Canyonlands National Park:

http://photosynth.net/embed.aspx?cid=d1ad7d29-b92c-44e3-ae72-893d12125051

versus simple synth that tends to prove the concept really well:

http://photosynth.net/embed.aspx?cid=740a069e-c9f0-41a9-a043-0b93fc06d0a3

Your efforts on photosynth probably reach more towards proof of concept, I'd imagine, and therefore minimalism really does make sense.

I was surprised to learn that you'd shot these shots at Skaftafell prior to PS's creation. Serves me right for only scanning the description...
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